Katja Oxman

        Katja Oxman creates etchings that are filled with references to her personal history and the history of art itself.  The artist, having grown up in post-war Germany, fills her prints with postcards of famous paintings by earlier artists and by doing so she refers to the past, memory and travel. Her flattened compositions recall Japanese woodcuts and the Oriental carpets that the objects are scattered on heighten this sense.
         Katja Oxman studied printmaking at the Pennsylvania Academy of Fine Arts and at the Royal College of Art in London.  Throughout her career, Oxman has focused on one of the most difficult, exacting and arduous etching processes known as aquatint.  All of the myriad colors and tones in Oxman’s prints are produced using only the three primary colors: red, yellow and blue. Her aquatints are now in the collection of a number of important museum collections, including the Smithsonian Museum of Art in Washington, D.C.


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Katja Oxman

Most Practiced Distance
Aquatint, 1990
31 1/2 x 24"




 

 

 

Katja Oxman
In Transition
Aquatint
22 1/4 x 17 1/2"





 



Katja Oxman
Against the Sky
Aquatint
22 1/4 x17 1/2"









Katja Oxman

In the Wind
Aquatint, 1988
17 1/2 x 16"








Katja Oxman

Textures of the Past
Aquatint, 1993
24 x 24"







Katja Oxman

Shadowy Textures
Aquatint, 1993
8 x 12"




 



Katja Oxman

If Bird the Silence Contradicts
Aquatint
35 x 47"










Katja Oxman

Provenance Unknown
Aquatint
32 3/4 x 23 3/4"


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William Baczek Fine Arts    36 Main St.    Northampton MA   info@wbfinearts.com    (413) 587-9880